Apologies to Vermeer and Thanks to Cezanne

In high-keyed colour and with a light touch, Judith Ryrie (1934-) records an afternoon by the river at Maitland in a style she terms ‘graphic rural realism’. Ryrie is a Sydney-based artist, but she was born in regional Dubbo. Alongside eleven other artists, Ryrie painted this view for the exhibition View of Maitland from the […]

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Business As Usual

Claire Martin (1952-) has captured the curve of the levee bank as it rises above the Hunter River in Riverbank Path – Maitland (2006). The painting was commissioned for the exhibition View of Maitland from the riverbank (with apologies to Jan Vermeer and View of Delft) at Maitland Regional Art Gallery (MRAG) in 2006. Martin […]

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Gateways to Waterways

Emma Lohmann’s (1970-) A view of Maitland (after Vermeer) pays homage to Johannes Vermeer’s A view of Delft (1663), a masterpiece described by the nineteenth-century novelist Marcel Proust as ‘the most beautiful painting in the world’. Vermeer painted the waterborne entrance to the Dutch city of Delft, where visitors arrived at the city’s imposing gateway by […]

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Amy at Veteran’s Flat

Amy Hill’s memory of being photographed is dulled by a haze of teenage angst. During the school holidays she had dyed her ginger hair to purple then back to what felt like a decidedly unnatural, rule-abiding maroon. During the term Amy’s art teacher approached the class to ask if they would be interested in being […]

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