Today in 2024, the Australian Republic movement is alive and well, and even though our coins still show the Monarch, you would have to visit a state institution such as Parliament House to see a full portrait of the King. However, this was not always the case. Australian loyalty to the British Monarchy was traditionally […]
When Jean Bellette (1908–1981) painted this modernist still life in the kitchen of her newly-acquired weekender in Hill End, she could not have foreseen the legacy she was creating for the arts in Bathurst. Her painting won the inaugural Carillon City Festival Art Prize in 1955 and was the first work acquired for the Bathurst […]
All together, it took nine hours. Nine hours spent in the shuddering, claustrophobic hull of a WWI-era submarine. Cautiously travelling beneath an underwater minefield to then torpedo a battleship, only able to return to the safety of the open ocean via the same treacherous stretch of water. What type of person is capable of such […]
Art, and especially great art, is not made in isolation. Societal needs, environmental input, and personal experience all combine to create an expression of emotion that is uniquely human, and therefore relatable to all. Artist John Coburn (1925-2006) spent his early years around Ingham, Queensland, before joining the Australian Navy at seventeen. During this time, […]
The time is now, declares Nell’s painting. Time to awaken to the present moment, time to awaken to enlightenment. Nell (1975-), an artist who is known only by her first name, invokes the spiritual traditions of Buddhism in her multi-disciplinary works. She works across immersive installations, paintings, ceramics, mosaics, neon light works and music videos […]
Suzanne Archer (1945-) has been painting the Australian landscape since she arrived here from England in 1965. She won the Wynne Prize in 1994 for her work Waratahs – Wedderburn. Her large, abstract works interpret country through collaged and layered elements that retain some aspects of figuration, such as the trees and horizon lines in […]
Alfred William Eustace (1820-1907) was born in England and came to Australia with his wife Sarah and children in 1851. Among his paintings he recorded the first paddle steamer to arrive at Albury in 1855, as well as a painting of the Woolshed gold rush, one of only two known paintings of this gold field. […]
Judith White’s (1951-) view of the Hunter River at Maitland is painted in a most appropriate medium – watercolour. White has used the transparent washes of paint to suggest the smoothly gliding waters of the river and its reflection of the stormy sky above. The massing, dense clouds threaten to burst at any minute with […]
In On the bank John R Walker paints the banks of the Hunter River at Maitland. The rooftops and spires of the city fill the top quarter of the canvas while the expanse of the river dominates the painting’s middle section, painted in swipes of earthy olive to convey the muddy water and its reflection […]
In high-keyed colour and with a light touch, Judith Ryrie (1934-) records an afternoon by the river at Maitland in a style she terms ‘graphic rural realism’. Ryrie is a Sydney-based artist, but she was born in regional Dubbo. Alongside eleven other artists, Ryrie painted this view for the exhibition View of Maitland from the […]
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