When the NSW Government established the system of Experiment Farms, the aim was to turn out practical farmers in order to improve agricultural capacity. To achieve this, the Bathurst Experiment Farm School was established in 1897 and would train over 850 students until the school closed in 1941. This register of students enrolled at the […]
Most of us, supposedly like Pavlov’s Dog, react to the ringing of a bell. Whether the bell rings out an alarm or calls us together we are programmed to respond to its call. The tolling of this brass bell alerted students at the Bathurst Experiment Farm to changes in their day. It called students to […]
When your orchard covers about fifteen hectares and contains 2,690 trees – half of which are apple trees – you need some way to find any individual tree. This plan of the Bathurst Experiment Farm orchard was devised and used just for this purpose. Until each tree was tagged with their variety in the 1960s, […]
The establishment of the Bathurst Experiment Farm in 1895 (later the Bathurst Agricultural Research Station) was part of a move by the New South Wales Government to increase agricultural capacity through the systematic application of science and education to agriculture. The rather gruesome looking device in the first photograph is the grinding gear of a […]
In nineteenth-century NSW, owning horses and cattle was common. An important asset for many, losing a horse, cow or bullock could mean losing your transport or livelihood. Livestock was a favoured target of thieves who were only abetted by patchy fencing and primitive communications. In the 1860s, newspapers fretted that cattle stealing had reached ‘alarming […]
Splotches of rich auburn resting on red earth, smears wandering in small patches of shade, and above all, heat. The only thing missing is the drone of flies above the steer’s head. Bullocks Resting by John Salvana (1873-1956) captures a pastoral image that has long captivated settlers in Australia. Pastoralist art presents country life, particularly […]
As a retirement gift this silver ink stand made by Barker Brothers of England is perfect. But it is much more than a retirement gift, it is a symbol of the high regard in which the recipient was held and the exercise of commonsense in uncertain and difficult times. The ink stand was presented to […]
Inspiration comes from many places. Sometimes an object’s story is much bigger than simply what it is or did. Hinting at what inspired Headlie Taylor’s (1883-1957) innovative agricultural inventions, this comb also reveals the story of the dynamic Henty community the designer was a part of. This comb is known as a short comb, most […]
When Max Watters (1934-2020) was drawn to the simple beauty of this setting, the cows that once grazed the grassy paddocks at the Merton dairy, near Denman in the Upper Hunter Valley, were long-gone. Max was a lifelong resident of Muswellbrook, a twenty-minute drive from Denman. He lived his entire life in a modest timber […]
On an unknown day in 1976 Max Watters (1936-2020), an established Hunter Valley landscape artist, headed north from his home in Muswellbrook in search of inspiration. After taking the Glenbawn Road, east of the small town of Aberdeen, Max crossed the Hunter River (Coquun). He navigated the wind in the road that bends around undulating […]
Museums & Galleries of NSW acknowledges the Traditional Custodians of the lands that comprise the state now known as NSW.
We pay respect to them as First Nations people with a continuing connection to land, place, waters and community
Aboriginal and Torres Strait Islander peoples are advised that this site contains stories, images, voices, and video of people who have died.
Some material may contain terms that reflect common usage of the period in which it was written or recorded but may not be considered appropriate today. Such terms do not reflect the views of Museums and Galleries of NSW and are provided only to reflect historical context.