William’s Pitiful Plight

In an office at the Male Orphan School in Liverpool (now Bonnyrigg), on 24 March 1831, a clerk laid a freshly printed form on his desk and, with his pen and ink, filled in the blanks. Somewhere in the rooms of the school that day was an eight year old boy named William Smith. He […]

Read More…

A Reproduced Idyll

When the young Birmingham artist Arthur Henry Fullwood (1863-1930) arrived in Maitland in 1886, what were his first impressions? Having recently migrated to the colony, Fullwood was commissioned by the Picturesque Atlas Publishing Company in Sydney to travel to the Hunter Region and depict its principal town, Maitland.  Among the various locations Fullwood visited in […]

Read More…

Looking Back to Look Forward

As scientists forecast increasingly erratic weather events and debate ways to effectively reduce the impacts of climate change, it is equally important to look back and learn how communities in the past have dealt with catastrophic weather events such as floods. This flood level marker from Maitland, made in 1982 for installation on electricity poles […]

Read More…

Blue Skies and Dusty Ground

After making a series of artworks in 2010 which captured the performance of a circus girl, Anna Culliton (1966-) was on the hunt for a new subject. It was during a visit to the Taralga Rodeo that inspiration struck the potter. A nineteen-year-old quarter-horse rider was about to perform when his name was announced: Clay […]

Read More…

At One With The Universe

An egg is indeed a treasure, especially when it shimmers with a thousand points of light as it does in Nell’s (1975-) mixed media work, Treasure (2003). Nell, an artist known only by her first name, works across a range of mediums encompassing painting, installation, ceramics and performance. Treasure is an object that embodies her […]

Read More…

Serenity, Now

The time is now, declares Nell’s painting. Time to awaken to the present moment, time to awaken to enlightenment. Nell (1975-), an artist who is known only by her first name, invokes the spiritual traditions of Buddhism in her multi-disciplinary works. She works across immersive installations, paintings, ceramics, mosaics, neon light works and music videos […]

Read More…

Shaped by the Bush

The stockman’s quart pot – a billycan (kettle) with a cup that fits inside it – was a popular kit carried by bush men and women to brew and drink tea. Whether journeying on horseback or by foot, travelling in the dry Australian ‘bush’ was a very thirsty business. A cup of leaf-tea, brewed on […]

Read More…

Mind Reading

Head III (2007) is a profile, a sculpture and a drawing at once. It’s a work by William Kentridge (1955-), a South African artist who is interested in transformations between materials, and differences in perspectives. Kentridge works across many mediums, ranging from drawing, printmaking and animation to theatre set and costume design. He was born […]

Read More…

Table Heirlooms

These napkin rings belonged to the Wilson family of Berry.  James C Wilson (1834-1901) emigrated to Australia in 1857 and found work on the Berry Estate, before co-founding Wilson and Co. Store, establishing other business interests that included coal mining, and becoming Berry’s first Mayor.  Around 1880, with wife Robina nee Tait (1849-1918), the Wilsons […]

Read More…

Eighteen Blocks of Gold

The first butter factory in Australia was established at Kiama, on the NSW South Coast, in the early 1880s. Until then the trade of dairy products occurred directly between the farmer and buyer. Butter was made in small quantities using centuries-old techniques to separate the cream from cow’s milk and churn it into butter.  It […]

Read More…