In 1958 William Charles Hawke carried a heavy responsibility. Three and half years had passed since the catastrophic Hunter Valley flood, which had been among the worst natural disasters in Australia’s recorded history. Twenty-five people had died. As Secretary of the Hunter Valley Conservation Trust, tasked with coordinating the work to mitigate flood impacts, Hawke […]
Suzanne Archer (1945-) has been painting the Australian landscape since she arrived here from England in 1965. She won the Wynne Prize in 1994 for her work Waratahs – Wedderburn. Her large, abstract works interpret country through collaged and layered elements that retain some aspects of figuration, such as the trees and horizon lines in […]
Judith White’s (1951-) view of the Hunter River at Maitland is painted in a most appropriate medium – watercolour. White has used the transparent washes of paint to suggest the smoothly gliding waters of the river and its reflection of the stormy sky above. The massing, dense clouds threaten to burst at any minute with […]
In On the bank John R Walker paints the banks of the Hunter River at Maitland. The rooftops and spires of the city fill the top quarter of the canvas while the expanse of the river dominates the painting’s middle section, painted in swipes of earthy olive to convey the muddy water and its reflection […]
In high-keyed colour and with a light touch, Judith Ryrie (1934-) records an afternoon by the river at Maitland in a style she terms ‘graphic rural realism’. Ryrie is a Sydney-based artist, but she was born in regional Dubbo. Alongside eleven other artists, Ryrie painted this view for the exhibition View of Maitland from the […]
Perhaps Leo Robba’s (1962-) view of the Hunter River at Maitland was a presage of his future research. Since painting this view in 2006 for the exhibition View of Maitland from the riverbank (with apologies to Jan Vermeer and View of Delft) at Maitland Regional Art Gallery (MRAG), Robba has gone on to complete a […]
In his avowedly ‘selective’ view of Maitland from the riverbank, Peter Pinson (1943-2017) has created an abstract rendering of the natural and built forms of the city that simplifies them to their essence. Using acrylic paint, Pinson divides his composition into black-rimmed horizontals of river and bank, balanced by the vertical blocks of buildings. A […]
Claire Martin (1952-) has captured the curve of the levee bank as it rises above the Hunter River in Riverbank Path – Maitland (2006). The painting was commissioned for the exhibition View of Maitland from the riverbank (with apologies to Jan Vermeer and View of Delft) at Maitland Regional Art Gallery (MRAG) in 2006. Martin […]
In his view across the Hunter River, Maitland – John and Leo (2006), Euan Macleod captures the energy of a gathering storm about to unleash its fury on two fellow artists painting the same view. Macleod paints the moment with an expressionistic spontaneity, using his palette knife and brush to capture the sky darkening over […]
The influence of the Dutch Golden Age of painting is very clear in Alexander McKenzie’s (1971-) Cloud cover over Maitland, painted in 2006. Dutch artists of the seventeenth century conveyed pride in their flourishing cities in paintings such as View of Delft (1633) by Johannes Vermeer, which is the inspiration for this view by McKenzie. […]
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