This day dress and petticoat were owned and worn by Mrs Ann Chellew nee Milburn (1872-1948) when a young woman around the turn of the twentieth century. Ann was the daughter of Janet Miller and James Milburn, who migrated to Australia from Scotland and England. Arriving with her family (in 1852) Janet was a baby, […]
When packing to travel to the other side of the world, what does an Edwardian woman put in her trunk? Knickers, of course. This machine-made pair, with their fancy cutwork embroidery and handmade torchon lace seem to have a very full front. Were they made to be worn by a pregnant woman? Was that why […]
In the 1930s Gwen Wiley of Berry patiently cut out the silk fabric, sewed the seams and chain-stitched and embroidered these handkerchief sachets. And it may not have been an accident that she made them in blue. Gwendoline ‘Gwen’ Wiley (1914-1991) was the third daughter of John and Pearl Wiley. She gained her intermediate certificate […]
Imagine the scratchy, squeaky sound this slate pencil made against this slate when five-year-old Alice Conway began practicing her writing on it in 1894 in Berry. Amplify that sound, according to the number of children in her school, all writing at different paces and rhythms, and we hear the uncomfortable noise of a typical nineteenth […]
What was thirteen-year-old Irish girl Ann Boyd thinking about as she stood on the deck of the emigrant ship Australia on 8 June 1853, as it sailed into Sydney Harbour and approached Dawes Point to lower its anchor? Accompanied by her parents Mary and Adam, and her eight siblings, Mary might have been impressed by […]
Like most pieces of iron machinery made in the nineteenth century, this ‘Ewbank Jewel’ laundry mangle was built to last. And last it did, now as solid and sturdy as the day it left the Entwhistle & Kenyon factory in Lancashire, England, sometime after 1875. Mangles were used to quickly flatten sheets, towels and tablecloths, […]
Above all, Kerrie Lester (1953-2016) was a passionate and committed art-maker. During her career she created well over thirty solo exhibitions while also finding time to become a finalist in the Archibald Prize sixteen times. She became well-known for her unique style of painting which incorporated twine sewn through the canvas to create texture. Lester’s […]
It was in 1995, during an artist’s residency at Hyde Park Barracks, that Anne Ferran (1949-) began to make art about Australia’s past: ‘You can live in a country all your life and feels like nothing happened before you got here.’ From this emerged a practice of unearthing forgotten or unspoken history and using it […]
Many objects from previous generations tightly conceal the identities and lives of the people who made and used them, but occasionally, they give away a few clues. We may never know who made or first wore this beautifully printed nineteenth century day dress from Newcastle. But a close look at its construction tells us the […]
Crown Bugalaa was created in response to the Aboriginal and Torres Strait Islander Collections held without consent at the University of New England (UNE), on Anaiwan Country. The work was informed by First Nations oral histories and my own PhD research on Gomeroi weaving at the UNE, in Armidale NSW. My People provided me the […]
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