It was in 1995, during an artist’s residency at Hyde Park Barracks, that Anne Ferran (1949-) began to make art about Australia’s past: ‘You can live in a country all your life and feels like nothing happened before you got here.’ From this emerged a practice of unearthing forgotten or unspoken history and using it […]
Holding the arm of her new husband Ernest John Phillips, Scottish-born Jessie McGeachie (1883-1947), descended the stairs in the garden of her parent’s home Craig Royston in Toronto, with its terraced lawns leading down to the edge of Lake Macquarie. It was the morning of 9 June 1909 and they had been directed to take […]
There’s a marble stone plaque on Morpeth’s war memorial statue that reads, ‘For King & Country’. Listed there are the names of the local ANZAC soldiers who served in World War One. Third on that list is Lieutenant H. Maynard MM, and below, on another plaque is a commitment, ‘Lest We Forget’. This is a […]
It may surprise you to learn that dollhouses were not originally intended as childhood playthings. The first examples of European dollhouses, or dockenhaus in German, come from the seventeenth century. Meaning ‘miniature house’, these were intended for adults and served as a physical display of wealth, class, and privilege. In Mother (Dolls House), artist Michael […]
First recorded in the English-speaking world in the seventeenth century, hopscotch as a children’s game conjures images and sounds of laughter, joy, and play-themes that art photographer Michael Cook (1968-) comments on through their visual omission in his work Mother (Hopscotch). Speaking directly to the artist’s personal past as an Indigenous adoptee, and to the […]
Dusty roads that stretch endlessly through flat, dry scrubland are a defining feature of the Australian landscape. Underneath open blue skies, the environment takes on a surreal, ethereal state, stuck somewhere between the real and the unreal. In Mother (Skipping Rope), artist Michael Cook (1968-) takes that same feeling of intangibility and instability and utilises […]
Iconic images of the Australian outback or bush conjure up dust, heat and the thunder of wild brumbies. The strike of their hoofs echoing across vast plains and down mountain sides, the epitome of true freedom. In Mother (Rocking Horse), artist Michael Cook (1968-) evokes this same feeling in a comment on family, connection, and […]
Against a strikingly empty, yet occupied Australian landscape, art photographer Michael Cook (1968-) has managed to capture the heavy, solemn weight of both motherhood and memory in a poignant moment—looking forward but also static, with the past still in easy view. In Mother (Pedal Car), it is easy to see Cook’s own personal journey reflected. […]
Aboriginal Police Tracker ‘Tommy’ worked in Broken Hill from the late 1890s-1910. His employment and skill as a tracker was renowned and widely reported in the press. Tommy’s police work also saw him employed at the Silverton Police Station, along with other Aboriginal trackers. Moreover, his time at Broken Hill coincided with a craze for […]
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We pay respect to them as First Nations people with a continuing connection to land, place, waters and community
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