First recorded in the English-speaking world in the seventeenth century, hopscotch as a children’s game conjures images and sounds of laughter, joy, and play-themes that art photographer Michael Cook (1968-) comments on through their visual omission in his work Mother (Hopscotch). Speaking directly to the artist’s personal past as an Indigenous adoptee, and to the […]
The sundial, the earliest device for time-keeping, indicates the time of day by the position of cast shadow from a vertical object. As the sun moves across the sky, the shadow of the object moves, marking the passage of time. In Mother (Merry-Go-Round), artist Michael Cook (1968-) has utilised the placement of the Mother offset […]
In 1988, and with camera in hand, the celebrated Sydney-based photographer Max Dupain (1911-1992) ventured west to the town of Orange. More well-known for capturing city skyscrapers, harbour ferries, and bathers on sandy beaches, Dupain went to Orange at the request of Peter O’Neill, then Director of Orange Regional Gallery. O’Neill had asked Dupain to […]
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